Art & Photographic Exhibitions
Interview with David King at the opening of his exhibition The Commissar Vanishes
By Stefan Steinberg, 29 December 1998
An interview with photographer David King
The Commissar Vanishes: The falsification of photographs and art in Stalin's Russia, an exhibition based on documents from the Collection of David King--Berlin, Haus am Waldsee, Argentinische Allee 30
By Stefan Steinberg, 29 December 1998
Following successful stops in Vienna and Milan, David King's extraordinary exhibition on the history of Stalin's photographic falsifications is on display at the Haus am Waldsee in Berlin until 7 February.
Double Happiness is a Warm Gun: Twenty paintings by Guo Jian
By Richard Phillips, 21 November 1998
By Richard Phillips, 27 October 1998
Max Ernst, an exhibition at the Georges Pompidou Centre Paris, and a selection of his writings compiled in Max Ernst: Beyond Painting, Wittenborn, Schultz, 1948.
By Stuart Nolan, 1 October 1998
A recent exhibition of the works of Max Ernst at the Pompidou Centre in Paris provided valuable insight into the artist's life and works.
By Harvey Thompson, 25 September 1998
Starting in 1993, Donovan Wylie spent 24 months photographing
By Lee Parsons, 22 September 1998
While he may not be as widely known as some of his more celebrated contemporaries, Alberto Giacometti (1901-66) is generally regarded as one of the most important artists of the twentieth century.
By Paul Bond, 15 September 1998
By David Walsh, 29 August 1998
The first comprehensive US retrospective of the remarkable Russian and Soviet artist Aleksandr Rodchenko (1891-1956) is currently on display in New York City. The exhibit will subsequently travel to Germany and Sweden.
"Shouts from the Wall," an exhibit of Spanish Civil War posters - Fascinating artifacts from a momentous struggle, and crude apologetics for Stalinism
By Lonnie Sommers, 28 August 1998
By Sue Phillips, 25 August 1998
Detroit authorities force dismantling of art work
By E. Galen, 20 August 1998
Lucian Freud: Some New Paintings, Tate Gallery, London, through July 26, 1998
By Paul Bond, 8 July 1998
Twenty-five works by one of Britain's most remarkable painters at the Tate Gallery
By Peter Symonds, 27 June 1998
An extensive exhibition of woodblock prints, paintings and fashionable costumes currently featured at the National Gallery of Australia, provides the viewer with an insight into a remarkable period of artistic development in Japan.
Art Gallery of New South Wales acquires Braque's Le Verre d'Absinthe
By Maria Esposito, 18 June 1998
The recent purchase of Georges Braque's Le Verre d'Absinthe (The Glass of Absinthe) by the Art Gallery of New South Wales in Sydney, is an important addition to the gallery's collection of paintings by this significant 20th century artist.
By David Walsh, 5 June 1998
A photographer who looked for the best in people and things
"Sluice Gates of the Mind" at Leeds Central Gallery
By Stuart Nolan, 12 May 1998
The recent exhibition, "Sluice Gates of the Mind", organised by Andrew Wilson, deals with two relatively unknown figures of British Surrealism, poet and artist Ruben Mednikoff and psychiatrist and untrained painter Grace Pailthorpe, and the intense relationship between them.
By David Walsh, 17 April 1998
It is impossible to look at Strand's rigorous, unsentimental, modernist photos from 1916 or so without recognizing, first and foremost, the striking changes that had taken place in American society and mentality since the turn of the century.
By Lee Parsons, 15 April 1998
Warhol has had a significant influence on several generations of artists and on fashion trends and commercial art production since the 1950s. The question inevitably arises: what enduring value, if any, does his work possess?
The photographs of Dorothea Lange
By Richard Phillips, 20 March 1998
This 85-print exhibition, although small in comparison to Lange's vast body of work, gives an overview of her social outlook, the depth of her creative vision and her place in the development of documentary photography.
Downtown Detroit: An American Acropolis
By David Walsh, 5 May 1997
The central districts of many large American cities have entered into advanced stages of decay. This presents distinct problems for the artist concerned with the fate of these urban areas and their inhabitants. How should the photographer, for instance, respond to this state of affairs?
The break in tradition
31 December 1969
Reviewed by David Walsh