“Reality doesn’t interest me...”
By Stefan Steinberg, 15 September 2003
The German filmmaker Leni Riefenstahl died September 8 at the age of 101. Riefenstahl is above all known for her close collaboration with the Nazi regime in the thirties, when at Hitler’s personal instigation she played a major role in establishing the public image of National Socialism in Germany and abroad. Shaken by the collapse of the Third Reich and discredited by her role in Nazi Germany, Riefenstahl had problems picking up the pieces of her film career after the Second World War. Among her better-known projects in the post-war period were photographic books of African Nuba tribesmen. Her last assignment was an underwater film.
By Paul Bond, 8 August 2003
When news was announced of the death of John Schlesinger, at the age of 77, I confess to ambivalence. One of the four major British film directors of the early 1960s, his output was huge and uneven. While there was much of interest, particularly in the way he worked with actors, the results were mixed. This reflected his determination to work at all costs; frequently, what suffered was the quality of the material.
By Paul Bond, 13 January 2003
Joe Strummer, one of the most articulate voices of the British punk scene of the late 1970s, died of a heart attack on December 22, 2002, aged 50. With his band The Clash, he helped forge a lasting legacy: his restless musical curiosity gave the lie to the caricatured image of punk as a mindless two-chord thrash, while his acute lyrics set a benchmark for song-writing that tackled political and social themes.
By Paul Bond, 30 October 2002
The actor Richard Harris, who died October 25 aged 72, was one of a number of his contemporaries who more often than was seemly traded their talent for a dubious celebrity. In some cases it is difficult to remember why they were thought to be great actors in the first place. What is remarkable about Harris is that when he found himself working on material worthy of his abilities, his gifts were still evident.
By David Walsh, 19 July 2002
The American film director John Frankenheimer died in Los Angeles of a stroke July 6 after complications from surgery. He was 72. Frankenheimer is best known for works he directed in the 1960s, The Manchurian Candidate, Seven Days in May and The Birdman of Alcatraz in particular. After suffering a decline in the 1970s and 1980s, Frankenheimer returned to some prominence, primarily as a director of historical films for television ( Andersonville, George Wallace), in the mid-1990s. His most recent effort was Path to War, which examined the process by which the US, under Lyndon B. Johnson, became embroiled in a full-scale intervention in Vietnam.
By John Andrews, 10 July 2002
After an extraordinary 55-year career, bassist Ray Brown died suddenly while napping before a performance scheduled in Indianapolis for the evening of July 2. Brown was 75.
Clifford Possum Tjapaltjarri (1932-2002)
By Susan Allan, 4 July 2002
Clifford Possum Tjapaltjarri, one of the acknowledged pioneers of the contemporary Australian Aboriginal art movement which emerged at Papunya settlement in central Australia in the early 1970s, died in Alice Springs on June 21. A co-founder of the audacious Papunya Tula style and the first Aboriginal painter to be critically acclaimed by art patrons in Europe and North America, Clifford Possum’s life bore all the scars of poverty and racist oppression confronting Aborigines in central Australia in the 20th century.
By David Walsh, 3 April 2002
Director Billy Wilder, whose films were renowned for their wit, cynicism and satirical edge, died March 27 in Beverly Hills, California at the age of 95. Wilder, Austrian-born, but in the US since 1934, directed his last film in 1981. Among his best-known works are Double Indemnity (1944), Sunset Boulevard (1950), Stalag 17 (1953), Some Like It Hot (1959) and The Apartment (1960).
Robin Anderson (1950-2002)
By Richard Phillips, 18 March 2002
Robin Anderson, rightly regarded as one of Australia’s best documentary filmmakers, died on March 8, aged 51, after a nine-month struggle with cancer. Anderson was diagnosed with a rare form of the disease in June last year, the day before her last movie— Facing the Music —premiered at the Sydney Film Festival. A reluctant publicist of her own work, the quietly-spoken Anderson co-directed with Bob Connolly, her husband and filmmaking partner, five feature-length documentaries between 1983 and 2001 that have left an ineradicable mark on the genre.
By Paul Bond, 7 March 2002
Spike Milligan, who died February 27 aged 83, was the single most important figure of post-war British comedy. His radio scripts for The Goon Show, his television series Q, his novels and war memoirs have been cited as an influence by practically every significant innovator in comedy over the last four decades. Though virtually unknown across the Atlantic, contemporary performers as varied as Eddie Izzard and Robin Williams have acknowledged that his legacy not only influenced them, but also inspired their own development.
By Fred Mazelis, 14 February 2002
Dave Van Ronk, the acclaimed blues and folk singer, guitarist, songwriter and teacher, died February 10 at the age of 65. His death came three months after surgery for colon cancer.
By David Walsh, 26 February 2001
American film director and producer Stanley Kramer, who died February 22 in Woodland Hills, California, was one of those unfortunate once-prominent artists who are best known by the time of their death, fairly or unfairly, for their defects and limitations. The producer of Champion (1949), Home of the Brave (1949) and The Wild One (1954) and director of The Defiant Ones (1958), On the Beach (1959) and Judgment at Nuremberg (1961), Kramer's reputation as the somewhat heavy-handed conveyor of liberal themes and sentiments attached itself to any discussion of his work. He was known for his concerns with racism (Home of the Brave, The Defiant Ones and Guess Who's Coming to Dinner ), fascism (Judgment at Nuremberg, Ship of Fools (1965) and war (On the Beach).
Japanese filmmaker dead at 88
By David Walsh, 9 September 1998
The Japanese filmmaker Akira Kurosawa died at his home in Tokyo September 6 at the age of 88. Kurosawa, who made 28 films between 1943 and 1993, belonged to that generation of European and Asian directors whose works dominated the international art film world in the 1950s and 1960s. One thinks of such figures as Federico Fellini, Ingmar Bergman, Michelangelo Antonioni, Satyijat Ray, Luis Buñuel, Luchino Visconti, Robert Bresson and Roberto Rossellini, all now either dead or inactive.
By Fred Mazelis, 26 June 1998
Alfred Kazin, the noted literary critic whose memoirs forcefully evoked the immigrant experience in early twentieth century America as well as the political and cultural odyssey of the intelligentsia over the past 60 years, died on June 5, his eighty-third birthday.