Art as the Cognition of Life

Australian governments’ decade-long cultural wrecking operation

By Richard Phillips and Linda Tenenbaum, 22 February 2017

Today, the ruling elites regard genuinely critical and creative voices with suspicion or outright hostility.

Colonia: Under Pinochet, a disposal center for enemies of the state

By Joanne Laurier and David Walsh, 16 April 2016

German director Florian Gallenberger’s political thriller Colonia takes place during and after the US-backed Chilean military coup in September 1973.

Bolshevism and the avant-garde artists (1993)

By David Walsh, 17 February 2010

The Great Utopia: The Russian and Soviet Avant-Garde, 1915–1932 at the Guggenheim Museum in New York City, in 1992-1993, was a major event. David Walsh wrote a series of articles in the Bulletin, a predecessor of the WSWS, which we began republishing February 13 in three parts. Here is the entire piece.

Winter Recommended Reading Series

David Walsh: Reading Voronsky on art today is to breathe fresh air

21 January 2010

Mehring Books is pleased to announce its Winter Recommended Reading Series, in which WSWS writers have been invited to share thoughts with the web site’s readers about works of Marxist literature that have influenced them and explain why.

An evaluation of Roman Polanski as an artist

By David Walsh, 20 November 2009

Filmmaker Roman Polanski remains in a Zurich jail cell, while his lawyers fight the efforts by US authorities to extradite him. The director has a half-century-long artistic career that needs to be assessed.

An evaluation of Roman Polanski as an artist—Part 1

By David Walsh, 18 November 2009

Filmmaker Roman Polanski remains in a Zurich jail cell, while his lawyers fight the efforts by US authorities to extradite him. The director has a half-century-long artistic career that needs to be assessed.