By Joanne Laurier, 29 January 2015
In a small Belgian factory, a woman fights to keep her job by trying to convince her workmates not to take a pay bonus.
By David Walsh, 28 January 2015
Paul Thomas Anderson’s new film, his seventh feature, is based on the 2009 novel of the same name by well-known American writer Thomas Pynchon.
By Matthew MacEgan, 24 January 2015
Clint Eastwood’s newest film tells the story of Chris Kyle, reputedly the deadliest marksman in US military history.
By Fred Mazelis and Tom Mackaman, 20 January 2015
Most attention has been focused on the relationship between Martin Luther King and Lyndon Johnson, but far deeper questions must be explored, including the significance of the mass movement against Jim Crow segregation, its political limitations and its fate.
By Paul Mitchell, 19 January 2015
On display are works, many unseen publicly since they were first created, by a wide range of realist, surrealist and abstract artists.
By Jeff Lusanne, 16 January 2015
Artists from around the world have contributed 26 comics depicting the criminality and brutality of World War I.
By Paul Mitchell, 14 January 2015
Downton Abbey, set in Yorkshire, depicts the lives of the Crawley family and their 16 servants in the early decades of the twentieth century.
By Clare Hurley, 12 January 2015
The painter’s range was so diverse that at times it hardly seems the work of a single person.
By Bryan Dyne and Christine Schofelt, 9 January 2015
Christmas 2014 marked the end of the eighth season of the rebooted British science fiction television series and the first season featuring Peter Capaldi in the title role.
By Charles Bogle, 7 January 2015
Angelina Jolie’s Unbroken is based on Laura Hillenbrand’s 2010 non-fiction work about Louie Zamperini’s harrowing experience in a Japanese prisoner of war camp during World War II.
15th Tokyo Filmex—Part 2
By John Watanabe, 5 January 2015
Kabukicho Love Hotel is the latest film by Japanese director Ryuichi Hiroki. Amos Gitai’s Tsili takes place during World War II, and Naji Abu Nowar’s Theeb during the First World War.
By Joanne Laurier, 3 January 2015
Tim Burton’s new film Big Eyes tells the story of Margaret Keane, the American artist who created the “big-eye art” that became a mass marketing sensation in the 1960s.
By David Walsh, 31 December 2014
Screenwriter Graham Moore and director Morten Tyldum attempt to come to terms with the complicated life and work of Alan Turing, the British mathematician, computer scientist, cryptanalyst and logician.
By our reporters, 31 December 2014
World Socialist Web Site music writers pick their favorite pop and jazz recordings of 2014.
By David Walsh and Joanne Laurier, 30 December 2014
Some interesting films opened in North America in 2014, a greater number than in many recent years. At the same time, sections of the film industry associated themselves more than ever with the American state.
By Andre Damon and David Walsh, 29 December 2014
It is entirely fitting that The Interview has been embraced by the Obama administration as the vehicle of the values it represents.
By Hiram Lee, 27 December 2014
The music of saxophonists Stephens and Smith reveals some of the strengths and weaknesses in contemporary jazz.
By Joanne Laurier, 23 December 2014
Bennett Miller’s film is based on events that culminated in the shocking 1996 murder of an Olympic wrestling champion by the multimillionaire scion, John Eleuthère du Pont, of the American chemical dynasty.
By David Walsh, 22 December 2014
No one familiar with Hollywood will be astonished by the picture of back-biting, pettiness and shortsightedness that emerges from the leaked emails, but the information is salutary nonetheless.
19 December 2014
This work by WSWS Arts and Culture Editor David Walsh is now available in ePub and Kindle formats. It is an important contribution to the study of Hollywood and global cinema and belongs in every Marxist library.
15th Tokyo Filmex—Part 1
By John Watanabe, 17 December 2014
The Prince, the better of the pair of films, is a “docu-fiction” about the life journey of Jalil Nazari, an Afghan refugee in Iran, who subsequently applied for asylum in Germany.
By Joanne Laurier, 15 December 2014
As 2014 draws to a close, the WSWS will comment on a number of films that were released in North America and, in some cases, globally in the course of the past 12 months.
By Joanne Laurier, 12 December 2014
IndiePix Films has recently released a one-hour documentary about American novelist Edith Wharton (1862-1937), featuring fascinating, never-before-seen archival footage.
Art Gallery of Ontario exhibition
By Lee Parsons, 8 December 2014
The Art Gallery of Ontario has brought together nearly 100 of Colville’s paintings, drawings and prints, the largest number ever in a single exhibit.
By Fred Mazelis, 5 December 2014
A moving and powerful exhibit at New York University’s Grey Art Gallery showcases the remarkable work of a little known black South African, Ernest Cole.
Exhibition at the Setagaya Art Museum, Tokyo
By John Watanabe, 3 December 2014
The recent exhibition in Tokyo included some 180 early Soviet posters, which have remarkable artistic and historic significance.
By Walter Gilberti, 2 December 2014
Stephen Hawking has over the years become a familiar personage to millions. A brilliant physicist and cosmologist, Hawking’s nearly life-long battle with disease has become the stuff of legend.
“The real question is: does your art speak to the times and ask serious questions?”
By Richard Phillips, 1 December 2014
Errol Sawyer discusses his early career and influences and the responsibilities facing photographic artists today.
By Marcelo Arias Souto, 29 November 2014
Interstellar takes place in a dystopian near future, when dust storms are destroying crops and threatening to leave the planet without food.
By Christine Schofelt, 24 November 2014
With the third film in the Hunger Games series, the phenomenon is wearing increasingly thin.
By Joanne Laurier, 21 November 2014
Stewart, host of The Daily Show, has written and directed a film treating the Iranian government’s incarceration and torture of a London-based, Iranian-born journalist in the immediate aftermath of the 2009 presidential election.
By Stefan Steinberg, 20 November 2014
The Festival of East European Cinema in Cottbus, Germany has been an annual event since 1991.
By Charles Bogle, 19 November 2014
Susan L. Mizruchi’s work uses the late actor’s extensive book collection, along with film scripts, research materials and notes for films, to deliver a complex and believable Marlon Brando.
By Paul Mitchell, 15 November 2014
The central problem with the documentary is its promotion of the state capitalist Socialist Workers Party’s perspective, which lets the Labour Party and the unions entirely off the hook for the betrayal of the miners.
By Fred Mazelis, 14 November 2014
John Adams’s opera is a worthy addition to the contemporary operatic repertory.
By Fred Mazelis, 13 November 2014
The latest contract follows a pattern across the US, but there is also growing anger at the corporate stranglehold on culture.
By Joanne Laurier, 10 November 2014
Adapted from Elizabeth Strout’s Pulitzer Prize-winning book, HBO’s miniseries Olive Kitteridge deals with life in a small community on the coast of Maine.
“Give me something to do”
By James Brookfield, 3 November 2014
Without wanting to oversimplify, one presumes that the general sympathy with which sufferers are treated in Eggers’ novels is owing in no small measure to his own experiences.
By David Walsh, 1 November 2014
David Ayer’s morbid and militarist film follows an American tank crew, led by Don “Wardaddy” Collier (Brad Pitt), in the final days of World War II in Europe.
By Joanne Laurier, 30 October 2014
Birdman deals with the washed-up star of a super-hero franchise. The Skeleton Twins portrays two siblings trying to overcome a painful psychological legacy. St. Vincent features a misanthropic Vietnam veteran who forms a life-changing attachment.
By Robert Stevens, 29 October 2014
Matthew Warchus’ film about the 1984-85 conflict has been well received in Britain and was the third highest-grossing release on its opening weekend.
By Hiram Lee, 28 October 2014
Turkish-German filmmaker Fatih Akin returns with a story of a family torn apart by the Armenian Genocide of 1915.
By Fred Mazelis, 22 October 2014
Despite vitriolic attacks and demands that the performance be cancelled, John Adams’s work went on as scheduled at the Metropolitan Opera on Monday night.
By Marcelo Arias Souto, 22 October 2014
Gone Girl wants to be a psychological study, a black comedy about the upper middle class, a social critique and a satire of media sensationalism. A few aspects are intriguing, even accomplished.
By Robert Stevens, 20 October 2014
Speaking of the NSA and the intelligence apparatus, Snowden asserts, in Laura Poitras’ documentary, “We are building the biggest weapon for oppression in the history of mankind.”
By Joanne Laurier, 17 October 2014
Michael Cuesta’s film tells the story of the journalist whose 1996 investigative series, “Dark Alliance,” uncovered ties between the Central Intelligence Agency and massive drug peddling by the right-wing Nicaraguan Contras.
By Dylan Lubao, 16 October 2014
Kelsey Waldon sets out to tell small-town stories in her debut album.
By Dorota Niemitz, 13 October 2014
Munk, part of a generation of Eastern European artists struggling to deal with the postwar situation, was able to create a humane and authentic portrait of his times.
Toronto International Film Festival 2014—Part 5
Director Ramin Bahrani: “The villain is the system”
By Joanne Laurier, 10 October 2014
99 Homes deals with the foreclosure and eviction crisis, Shelter with the homeless. Also screened was a documentary about a Mexican citizen 30 years on death row, The Years of Fierro.
By Muhammad Khan, 8 October 2014
South Korean director Bong Joon-ho’s latest film tackles environmental catastrophe and social revolution.
By Zaida Green, 6 October 2014
An underclass of trolls takes on the wealthy and corrupt White Hats in the new animated film from Laika, the Oregon-based studio.
By Christine Schofelt, 4 October 2014
In the opening scene, Father James (Brendan Gleeson) takes confession from an unseen man who recounts being sexually abused by a priest as a child, and informs James he is going to kill him “Sunday week.”
Toronto International Film Festival 2014—Part 4
By David Walsh, 2 October 2014
The film, directed by Iraqi-Swiss filmmaker Samir, attempts to interweave the complex saga of the director’s own family with the larger history of Iraq over the past half-century or more.
Toronto International Film Festival 2014—Part 3
and a roundtable interview with writer-director Andrew Niccol and actor Ethan Hawke
By David Walsh, 26 September 2014
New Zealand-born writer-director Andrew Niccol has taken on the subject of drone warfare in Good Kill, featuring Ethan Hawke, Bruce Greenwood, Zoë Kravitz and January Jones.
By Fred Mazelis, 25 September 2014
“Over Here: WWI and the Fight for the American Mind” describes the way in which propaganda and mass media “were used to shape and control public opinion about the war” a century ago.
25 September 2014
This year’s Toronto International Film Festival presented a number of films about the foreclosure crisis and homelessness as well as about drone warfare.
Toronto International Film Festival 2014—Part 2
By Joanne Laurier, 24 September 2014
Christian Petzold’s Phoenix and Italian-born Giulio Ricciarelli’s Labyrinth of Lies are both skillfully made, intelligent films that delve, in quite different ways, into the legacy of German fascism.
By Elle Chapman, 22 September 2014
Produced over 25 years ago, the Japanese animation feature is a unique and emotionally intense story set in Kobe during the last months of World War II.
Toronto International Film Festival 2014—Part 1
By David Walsh, 18 September 2014
A number of remarkable films were screened at the recent Toronto International Film Festival, out of a total of 284 feature films and 108 shorts, from some 80 countries.
By Nick Barrickman, 16 September 2014
The tenth studio album from Grammy award-winning rapper Common attempts to grapple with gang violence and social misery in his hometown of Chicago
Truth and Memory at the Imperial War Museum, London, until March 2015
By Tom Pearse, 6 September 2014
A major retrospective at the Imperial War Museum London features the work of British artists sent to capture the reality of the First World War.
By Hiram Lee, 2 September 2014
Country music icon Willie Nelson marks a successful return to songwriting with his latest album.
By Christine Schofelt, 28 August 2014
Presented in an almost painterly fashion, the first season of True Detective offers up a sad picture indeed.
By David Walsh, 22 August 2014
A famed illusionist (Colin Firth) is brought in to expose a young clairvoyant (Emma Stone), but instead begins to have doubts about his own rationalistic world-view.
By Joanne Laurier, 20 August 2014
The documentary, directed by cousins Tracy Droz Tragos and Andrew Droz Palermo, movingly chronicles the lives of three boys living in an impoverished, rural southwestern Missouri town.
By Fred Mazelis, 20 August 2014
An all-night bargaining session produced a four-year deal based on “equality of sacrifice.”
By David Walsh, 19 August 2014
Using the same cast, the writer-director filmed sequences once a year for twelve years, centering on a boy, his family and their surroundings in east and central Texas.
By Hiram Lee, 16 August 2014
In Lucy, Scarlett Johansson is a super-powered intellect fighting to take down a Taiwanese drug cartel.
By Fred Mazelis, 14 August 2014
The third delay in the lockout threat points to the danger that concession agreements will be reached with the Met unions.
By Joanne Laurier, 14 August 2014
Tate Taylor’s film biography attempts with considerable success to penetrate the James Brown phenomenon. As the famed American singer-performer, Chadwick Boseman is mesmerizing.
By David Walsh, 13 August 2014
Williams was found dead on Monday at his home in Tiburon, California, in the San Francisco Bay Area, having apparently commited suicide.
By Andre Damon, 12 August 2014
Last week, the museum, home to a unique collection of English Pre-Raphaelite and American realist art, sold one of its signature pieces, Isabella and the Pot of Basil, by William Holman Hunt.
“I was really thinking just of my picture, instead of what life is really like”
By Seraphine Collins, 8 August 2014
The exhibition of the well-known fashion photographer’s work opened June 20 at the Detroit Institute of Arts (DIA) and will run through September 7.
By Nick Barrickman, 6 August 2014
Francis is best known for his passionate vocal performances and thought-provoking lyrics that express understandable anger at the conditions of modern society.
By Kevin Martinez, 4 August 2014
The original Planet of the Apes (1968), directed by Franklin J. Schaffner, with Charlton Heston and Roddy McDowall, was fairly silly, but it was not mean-spirited and had a certain humor to it.
Interview with Professor Ian Duncan on Sir Walter Scott: The novel “as a kind of total environment of human life”
By David Walsh, 31 July 2014
Ian Duncan is the author of an introduction to a Penguin Classics edition of Waverley and currently teaches at the University of California, Berkeley.
By Charles Bogle, 30 July 2014
The AMC series, about an ad agency in the 1960s, has attracted a great deal of attention for its efforts to recreate the social atmosphere and circumstances of those years.
By Joanne Laurier, 28 July 2014
The film’s web site reports the staggering, and scandalous, fact that more than “2,000 people in the US are serving life-without-parole sentences for crimes they committed as juveniles.”
By Fred Mazelis, 26 July 2014
The board of trustees is demanding that musicians and other staff pay for the financial difficulties of the opera company.
By Fred Mazelis, 25 July 2014
This “lost opera,” written in the late 1960s, deserves a permanent place in the repertoire.
By Charles Thorpe and Norisa Diaz, 23 July 2014
Theroux’s new three-part series provides glimpses of the social crisis in Los Angeles, but the documentarian’s approach prevents him from probing very deeply.
By Margot Miller, 19 July 2014
As a proportion of total UK public spending, a miniscule 0.5 percent now goes to the arts.
By David Walsh, 17 July 2014
The DIA has received pledges of another $26.8 million in donations from various major corporations and banks toward its goal of raising $100 million as part of the so-called “Grand Bargain.”
By Wasantha Rupasinghe and Panini Wijesiriwardane, 14 July 2014
Vithanage’s film is a serious artistic effort and reveals how the decades-long communal war affected human relationships.
By our reporters, 12 July 2014
World Socialist Web Site music reviewers pick some of the more interesting albums or songs released in the first half of 2014.
By Joanne Laurier, 10 July 2014
The 40-minute documentary on the postwar American painter Robert De Niro, Sr. is a delicate and moving homage, in which his son, the actor Robert De Niro, figures prominently.
Two hundred years since the publication of Waverley
By David Walsh, 9 July 2014
Monday marked 200 years since the publication of Waverley, a novel by Sir Walter Scott (1771-1832), an event of genuine artistic and intellectual significance.
By Richard Phillips, 8 July 2014
One of the few remaining old-school soul singers still working, Womack left behind a remarkable body of work in rhythm and blues.
By Hiram Lee, 7 July 2014
Lyricist Gerry Goffin passed away in June at the age of 75. Together with composer Carole King, he wrote many of the better known pop hits of the 1960s.
By Nick Barrickman, 30 June 2014
Formed in 1987 in Philadelphia, The Roots have produced some of the more interesting and oppositional music in hip hop.
By Clare Hurley, 28 June 2014
The work of the African American artist (born 1953) has been widely praised for its examination of race, gender and class. “Class” now comes in a distant third.
By Joanne Laurier, 27 June 2014
Clint Eastwood’s latest directorial effort is a film version of the popular musical that premiered on Broadway in 2005 and revived interest in the music of Frankie Valli and The Four Seasons.
By Fred Mazelis, 27 June 2014
The ruling elite is demanding complete control over all aspects of cultural life.
By Fred Mazelis, 27 June 2014
The actor’s career spanned 65 years and intersected with the work of many leading figures in the film and theater worlds.
By Clare Hurley, 25 June 2014
As an artistic movement, Futurism was not much more than an Italian variant of other European modernist trends.
By John Andrews, 24 June 2014
Horace Silver, the noted pianist and composer central to the hard bop school of jazz, has passed away, leaving a legacy of outstanding recordings made during the 1950s and 1960s.
By Joanne Laurier, 23 June 2014
Entre Nos dramatizes the plight of a Colombian immigrant and her two children in New York City. Red Father, a documentary, recounts the life and career of Bernard Ades, a lawyer and longtime member of the Communist Party.
By David Walsh, 21 June 2014
The opera company’s decision to cancel its global video and radio transmission of John Adams’ work is a scandalous and cowardly capitulation to right-wing forces.
At the Art Gallery of Ontario in Toronto
By Lee Parsons, 21 June 2014
Two of the most prominent British artists of the modern period—a rare and unlikely pairing—are brought together in this exhibition at the Art Gallery of Ontario.