By Ed Hightower, 26 July 2016
The fourth season of the Netflix series Orange is the New Black, the comedy-drama set in a fictional women’s federal prison, is now available.
By Joanne Laurier, 21 July 2016
Our Kind of Traitor, a British spy thriller directed by Susanna White, is based on the 2010 novel of the same name by John le Carré, the veteran novelist.
By David Walsh, 20 July 2016
The new film comprises four stories, loosely linked by the presence of a “wiener-dog” (dachshund). Each has at least one or more satirical, telling moments or elements.
By David Walsh and Zac Corrigan, 18 July 2016
M.I.A. has every right to criticize Beyoncé and Kendrick Lamar, who travel in privileged circles around the Obamas and other leading Democratic Party figures.
By Bernd Reinhardt, 16 July 2016
In addition to a remarkable command of his instrument, guitarist Häns’che Weiss was distinguished by his thrilling musicality.
By David Walsh, 14 July 2016
The Iranian director will be best remembered and long honored for the series of feature films, including documentaries, that he made between 1987 and 1997.
“Ordinary people truly imbibed the principles of the American Revolution”
By David Walsh and Joanne Laurier, 13 July 2016
This is the second part of a conversation with Victoria Bynum, whose research helped inspire the film Free State of Jones, about an insurrection by Southern Unionists against the Confederacy during the Civil War.
By Sandy English, 12 July 2016
In her new novel, Gaitskill focuses on a poor Dominican teenager from New York City, the suburban family she lives with during the summer and her experiences relating to a particularly abused horse.
By Richard Phillips, 11 July 2016
Cox directed over 40 dramatic features and documentaries—the overwhelming majority on paper-thin budgets—during his more than forty-year career.
By David Walsh, 7 July 2016
Cimino is best known as the director of The Deer Hunter (1978), which won numerous Academy Awards, and Heaven’s Gate (1980), which was denounced by leading critics, lost a great deal of money and severely damaged Cimino’s career.
By Hiram Lee, 6 July 2016
Ralph Stanley led one of the most remarkable groups in Bluegrass music and was among the genre’s greatest banjo players and singers.
By Joanne Laurier, 28 June 2016
Gary Ross’s film is a fictional account of an intriguing, but little known chapter in American history.
By Sam Price and Tom Peters, 25 June 2016
The film shows the horrors of war but fails to challenge the nationalist mythology surrounding the Anzacs.
Alf Sjöberg’s Miss Julie (1951) and G. W. Pabst’s The Threepenny Opera (1931): Films worth noting … and seeing
By Joanne Laurier, 23 June 2016
Swedish filmmaker Alf Sjöberg’s Miss Julie is based on the play by August Strindberg. Austrian filmmaker G.W. Pabst’s film The Threepenny Opera is an intricate movie version of the legendary Bertolt Brecht-Kurt Weill work.
“All the terrifying things all really happened”
By David Walsh, 18 June 2016
Czech director Jan Němec, who died in March 2016, made a film about the surrealist painter Toyen in 2005, which is now available. The film is intriguing and sometimes deeply moving.
(And, briefly, Terence Davies’ Sunset Song and Hany Abu-Assad’s The Idol.)
By David Walsh and Joanne Laurier, 17 June 2016
The Nice Guys is set in 1977 and follows the investigation into a disappearance, which turns out to be part of a broader conspiracy. Sunset Song and The Idol have recently opened in movie theaters in the US.
By Eric London, 13 June 2016
Don DeLillo’s latest novel, about the determination of a small group of wealthy individuals to have their bodies cryogenically preserved, is worth our attention.
By David Walsh, 11 June 2016
In Yorgos Lanthimos’ film, individuals without a mate are sent to a “hotel” where they have 45 days to find a partner or be turned into an animal. Then, there are those who escape.
By Charles Bogle, 10 June 2016
HBO’s All the Way is a serious effort, devoid of contemporary identity politics, to portray a significant moment in American history.
By Alan Gilman, 9 June 2016
The new attempt by the Polish government to extradite Polanski is the latest chapter in the US government’s vindictive pursuit of the filmmaker.
By Joanne Laurier, 8 June 2016
In England in 1790, Lady Susan Vernon, widowed and penniless, schemes to reverse her fortunes.
By James Brookfield, 7 June 2016
American author Don DeLillo’s 17th novel is a dark story about the determination of a small group of wealthy individuals to have their bodies cryogenically preserved.
By George Marlowe, 6 June 2016
The World Socialist Web Site spoke to Anohni about her new album.
“If I killed your mother with a drone bomb, how would you feel?”—Crisis
By Zac Corrigan, 6 June 2016
Anohni is the British-born, American transgender singer formerly known as Antony Hegarty who released five albums under the name Antony and the Johnsons.
By Carlos Delgado, 3 June 2016
Praise for Lena Dunham’s “Girls” generally lauds its “frankness” and “realism” about the unpleasant, even ugly, aspects of life for American youth.
A talk given in San Diego, Berkeley and Ann Arbor
By David Walsh, 1 June 2016
This talk was given by WSWS arts editor David Walsh at San Diego State University, University of California Berkeley and University of Michigan in Ann Arbor in April and May.
A talk given in San Diego, Berkeley, and Ann Arbor
By David Walsh, 31 May 2016
This talk was given by WSWS arts editor David Walsh at San Diego State University, University of California Berkeley, and University of Michigan in Ann Arbor in April and May.
By Joanne Laurier, 28 May 2016
John Carney’s Sing Street is a musical comedy-drama set in Dublin in the mid-1980s. Italian filmmaker Luca Guadagnino’s A Bigger Splash, based on a 1969 French thriller, takes its name from a painting by British artist David Hockney.
By David Walsh, 27 May 2016
Like the novel, the film—set in the mid-1970s—begins with its central character calmly sitting on the balcony of his 25th floor apartment eating roast dog.
By David Walsh, 25 May 2016
Cash Only is an independent American film set in the Detroit area. The film takes place in the Albanian community.
By David Walsh, 23 May 2016
What are these performers doing in this film? Is there any major film actor at present who would say “No” to this sort of project?
San Francisco International Film Festival—Part 4
By Joanne Laurier, 20 May 2016
Some not very good new films—and better old ones.
By Joanne Laurier, 18 May 2016
Money Monster is the latest film to depict the consequences of the 2008 financial crash and the criminal manipulations of the financial elite.
San Francisco International Film Festival—Part 3
By David Walsh, 17 May 2016
Radio Dreams is a pleasurable experience. Other films at the San Francisco festival––The Event, No Home Movie, Counting, Five Nights in Maine––fared less well.
By David Walsh, 17 May 2016
The WSWS spoke to Babak Jalali during the recent San Francisco International Film Festival.
San Francisco International Film Festival—Part 2
By Joanne Laurier, 13 May 2016
In a number of the films screened at the festival, their creators were evidently overwhelmed by the disintegrating social structures in some of the most impoverished parts of the world.
San Francisco International Film Festival—Part 1
By David Walsh, 11 May 2016
The recent San Francisco International Film Festival, in its 59th edition, screened some 175 films, including approximately 100 feature-length films, from 46 countries.
By Hiram Lee, 10 May 2016
Everybody Wants Some!! is the latest coming-of-age tale from the American independent film director.
By John Harris, 9 May 2016
The movie centres on the efforts of a lower middle-class couple to find their runaway teenage daughter and only child.
Retrospective at the Museum of Modern Art in New York
Are the films of Jean-Marie Straub and Danièle Huillet a genuine alternative to contemporary filmmaking?
By David Walsh, 7 May 2016
The Museum of Modern Art in New York City, beginning May 6, is presenting a retrospective of the films of Jean-Marie Straub and Danièle Huillet, the Franco-German filmmakers.
By Joanne Laurier, 6 May 2016
Two ostensible comedies, Elvis & Nixon and A Hologram for the King, drain their stories of their most important social and historical content.
By David Walsh, 4 May 2016
The film follows the relationship that develops after a young American journalist in Miami in the mid-1950s writes an admiring letter to novelist Ernest Hemingway, then living in Havana, Cuba.
By Evan Blake and Jake Dean, 3 May 2016
Walsh presented the history of 20th century anti-war cinema and sought to uncover the roots behind the present cultural stagnation in the light of the eruption of American imperialism.
By Norisa Diaz and Kevin Martinez, 2 May 2016
The film is a lyrical and honest look at the poverty and social neglect that affects one of the most historically oppressed communities in the United States.
By Fred Mazelis, 29 April 2016
Children of hedge fund managers attend private school on Manhattan’s Tenth Avenue, across the street from one of the city’s public housing projects.
By Hiram Lee, 27 April 2016
While music icon Prince, who died April 21 at the age of 57, was among the more electrifying performers of his generation, his work could be terribly uneven.
By Ross Mitchell and Paul Mitchell, 26 April 2016
The stated intention of the organisers is to give visitors “the opportunity to (re)discover” the “revolutionary artist” Eugène Delacroix (1798-1863).
By Matthew MacEgan, 22 April 2016
Harvey’s new album is the product of the artist’s investigation into the poverty and devastation being inflicted on different parts of the globe.
By Carlos Delgado, 20 April 2016
The film tells the story of Davis Mitchell (Jake Gyllenhaal), a New York investment banker who experiences an emotional unraveling after his wife dies in an automobile accident.
By David Walsh, 19 April 2016
WSWS writers Sybille Fuchs, Stefan Steinberg and David Walsh recently spoke to the author of a valuable new biography of the famed German playwright and poet.
By Joanne Laurier and David Walsh, 16 April 2016
German director Florian Gallenberger’s political thriller Colonia takes place during and after the US-backed Chilean military coup in September 1973.
14 April 2016
WSWS Arts Editor David Walsh will speak at meetings in San Diego and Berkeley, California, addressing the political and cultural situation in relation to American imperialism’s relentless war drive.
By John Andrews, 7 April 2016
Films based on the lives and personas of post-World War II jazz musicians Chet Baker and Miles Davis have been released recently.
By Carlos Delgado, 6 April 2016
The price tag of the film, including production and marketing costs, approaches half a billion dollars, and some analysts believe it would need an $800 million box office to recoup its investment.
By Jean Shaoul, 5 April 2016
The Saudi ruling family spent $70 billion exporting its particularly repressive form of Islamism through books, the media, Islamic welfare institutions and charities.
By Hiram Lee, 4 April 2016
A review published in this Sunday’s New York Times Book Review advances a racialist view of art and culture with thoroughly reactionary implications.
San Diego Latino Film Festival 2016—Part 3
From Cuba a grim drama (La obra del siglo) and from Argentina a political thriller (El Clan) and a road trip (Camino a La Paz)
By Kevin Martinez and Toby Reese, 1 April 2016
The festival showcased films and documentaries from throughout the Spanish-speaking world, including Cuba, Spain, Mexico, and South and Central America.
By Joanne Laurier, 31 March 2016
Eye in the Sky is a political-military thriller in which British and American officials weigh the consequences of a drone strike in Nairobi, Kenya.
San Diego Latino Film Festival 2016—Part 2
The human cost of the drug war in Mexico and a drama from Venezuela: Retratos de una búsqueda and Dauna. Lo que lleva el río
By Kevin Martinez and Toby Reese, 30 March 2016
The San Diego festival showcased films and documentaries from throughout the Spanish-speaking world, including Cuba, Spain, Mexico, South and Central America.
San Diego Latino Film Festival 2016—Part 1
By Kevin Martinez and Toby Reese, 28 March 2016
The festival showcased films and documentaries from throughout the Spanish-speaking world, including Cuba, Spain, Mexico, South and Central America.
By Joanne Laurier, 25 March 2016
Two Auschwitz concentration camp survivors plot to kill the SS guard who murdered their families in Atom Egoyan’s latest film, Remember, a psychological drama.
By Andre Damon, 24 March 2016
The latest season of the Netflix series suggests that the US government facilitates terrorism to keep a lid on domestic opposition, spies on the population for political gain, and conspires to go to war for Machiavellian ends.
By Leah Jeresova, 23 March 2016
Doerr’s second novel takes a moralizing, ahistorical view of events during the Second World War.
By Nick Barrickman, 21 March 2016
A talented musician, Yancey is considered by many to have been among the greatest of all hip hop producers.
By Sandy English, 17 March 2016
Franzen’s highly praised fifth novel is a largely––and carelessly––misanthropic, right-wing work that fails to create complex or plausible characters.
By Hiram Lee, 15 March 2016
Legendary music producer George Martin, who supervised almost all of the Beatles’ recordings, died on March 8.
66th Berlin International Film Festival—Part 4:
By Bernd Reinhardt, 14 March 2016
A new adaptation of the immortal Diary of a Young Girl by Anne Frank, about Nazi persecution, and a film about Palestinian refugees in contemporary Germany.
By Joanne Laurier, 12 March 2016
Spanish filmmaker Fernando León de Aranoa’s movie A Perfect Day deals with international humanitarian aid workers in the Balkans near the end of the war in the mid-1990s.
By Alan Gilman and David Walsh, 10 March 2016
Stephen Hopkins’ film centers on critical events in the life of African-American track and field legend Jesse Owens.
By Charles Bogle, 8 March 2016
The FX series examines the murders of Nicole Brown Simpson and her friend Ronald Goldman in June 1994, for which former football star O. J. Simpson was charged.
66th Berlin International Film Festival—Part 3:
By Bernd Reinhardt, 7 March 2016
Vincent Pérez’s film is a new adaptation of Hans Fallada’s novel Every Man Dies Alone (published posthumously in 1947).
By Joanne Laurier, 5 March 2016
Whiskey Tango Foxtrot is a semi-comic treatment of the tragic Afghan conflict; A War from Denmark is ostensibly a more serious effort. Desierto takes up the war against Mexican immigrants.
By Fred Mazelis, 1 March 2016
The Oscar awards ceremony Sunday night included some welcome notes and surprises, and generally, despite the disorienting campaign waged under the Twitter hashtag #OscarsSoWhite, revealed a more humane side of Hollywood.
66th Berlin International Film Festival—Part 2:
By Verena Nees and Bernd Reinhardt, 27 February 2016
This is the second in a series of articles on the recent Berlin international film festival, the Berlinale, held February 11-20, 2016.
66th Berlin International Film Festival—Part 1:
By Stefan Steinberg, 22 February 2016
The main prize of the festival went to Fire at Sea (Fuocoammare) by Gianfranco Rosi, dealing with the fate of refugees attempting to enter Europe.
By Robert Fowler, 19 February 2016
The playwright raises some important issues and then proceeds to skirt them, leaving the audience with little more than a banal liberalism.
By Adam Mclean, 16 February 2016
Students at the Cortines School of Visual and Performing Arts in Los Angeles tackle the deadliest industrial disaster in US history in an honest and compelling work.
By David Walsh, 13 February 2016
Veteran independent Chinese filmmaker Jia Zhangke’s Mountains May Depart is opening in theaters in the US this week.
By Joanne Laurier, 11 February 2016
Tolstoy’s titanic novel has received a new adaptation by the BBC and is now airing in numerous countries.
By Joanne Laurier, 9 February 2016
Hail Caesar!, directed by Joel and Ethan Coen, is a comedy about Hollywood set in the early 1950s.
At the Jewish Museum in New York City
By C.W. Rogers, 6 February 2016
The exhibition examines some of the remarkable photography, magazines, film posters and innovative films produced in the years that followed the October Revolution of 1917.
By David Walsh, 5 February 2016
In Andrew Haigh’s 45 Years, a childless, middle class couple living in a provincial English town, are on the eve of their 45th wedding anniversary.
Flint pre-screening of the documentary MisLEAD: America’s Secret Epidemic
By Tim Rivers, 4 February 2016
Following a preview screening of the film MisLEAD: America’s Secret Epidemic, which documents the epidemic spread of lead across America, a panel of parents was joined by the director of the film and a state expert for lead risk assessment.
By Andras Gyorgy, 3 February 2016
Louis Zukofsky (1904–78), largely unknown today except in academic circles, was a remarkable American poet. In the late 1920s and 1930s, a supporter of the Communist Party, he wrote complex, modernist works.
By David Walsh, 30 January 2016
It is no exaggeration to point out that, in ideological terms, Cara Buckley in the New York Times and others, in their obsession with race, are spouting a conception of society and art identified historically with the extreme right.
By Kevin Martinez, 30 January 2016
Hollywood’s latest propaganda piece tells the story of the 2012 attack on a US base in Libya from a right-wing perspective, with predictable results.
By Joanne Laurier, 29 January 2016
The documentary brings together opponents of the CIA drone program and includes interviews with two former US Air Force drone pilots.
By Dorota Niemitz, 28 January 2016
The debut film of Hungarian director László Nemes depicts the horrors of the Auschwitz-Birkenau death camp during the prisoner uprising of October 1944.
By Lee Parsons, 26 January 2016
Given the current upsurge of interest in representational imagery, the exhibition of the late work of J.M.W. Turner (1775–1851) at the Art Gallery of Ontario in Toronto is of particular interest.
Charlie Kaufman’s often charming, moving Anomalisa (and Michael Moore’s feeble Where to Invade Next)
By Joanne Laurier, 23 January 2016
Anomalisa is an adult animated film created with stop-motion puppetry centering around an angst-ridden, self-help author. Where to Invade Next is a non-comment on Washington’s never-ending wars.
By Jeff Lusanne, 22 January 2016
An album fusing Western jazz traditions and traditional Arab music preserves an endangered Iraqi art form and creates a new sound.
By David Walsh, 21 January 2016
Director Spike Lee and actress Jada Pinkett Smith, both African-American, have indicated they will shun this year’s award ceremony on February 28.
By David Walsh, 20 January 2016
The essay by David Walsh we are posting today considers whether or not an artistic vanguard exists today—and, if not, what such a vanguard would consist of and what questions it would have to confront.
By Zac Corrigan, 20 January 2016
30 Americans is a collection of artwork created under the influence of racialist and gender politics, and it provides an opportunity to assess the aesthetic contribution of this outlook.
By Richard Phillips, 19 January 2016
The 72-minute film provides a general outline of neo-realist cinema, but it is a seriously limited one.
By Clare Hurley, 18 January 2016
MoMA has given Picasso’s sculpture blockbuster treatment, including more than 140 pieces. The handful of sculptures that are a discovery tend to get lost in the crowd.
By Joanne Laurier, 16 January 2016
The Revenant is a sensationalized account of the life of American fur trapper Hugh Glass, who famously survived a mauling by a bear. Youth is a banal meditation on aging.
By David Walsh, 15 January 2016
The Academy Award nominations revealed the usual muddle-headedness, liberal good intentions and severe limitations of the social grouping that decides these things.
By Alan Gilman, 14 January 2016
Despite its limitations, Concussion serves to bring before a mass audience the grave risks inherent in playing America’s most popular sport.
By Joanne Laurier, 8 January 2016
The two films address significant subjects that could potentially shed light on society and its moral and psychological condition.