Film Reviews by David Walsh, WSWS Arts Editor

The Seagull: Is there a “Chekhovian mood” at present?

By David Walsh, 30 June 2018

Michael Mayer has directed a new film version of Russian writer Anton Chekhov’s play, The Seagull, written in 1895 and first produced in 1896.

Unequivocally, FOR Wes Anderson’s Isle of Dogs and AGAINST Avengers: Infinity War

By David Walsh, 5 May 2018

The blindness and stupidity of the identity politics-obsessed upper middle class knows no bounds. This issue comes up most recently in connection with the different critical responses generated by Isle of Dogs and Avengers: Infinity War.

Director of The Loves of a Blonde, One Flew Over the Cuckoo’s Nest, Amadeus

Filmmaker Milos Forman (1932-2018), one of the leading figures of the Czech New Wave

By David Walsh, 16 April 2018

Forman was originally identified with the so-called Czech New Wave, a group of directors whose lively and honest films came to international prominence in the mid-1960s.

Restored version of Fassbinder’s working class drama Eight Hours Don’t Make a Day showing in US

By David Walsh and Joanne Laurier, 9 April 2018

The result is surprisingly optimistic and confident, not what one might have expected from Fassbinder, known for his emotionally dark, harsh and even cynical films.

Japanese animation filmmaker Isao Takahata, director of Grave of the Fireflies, dies at 82

By Elle Chapman and David Walsh, 7 April 2018

Takahata, one of Japan’s most influential animation filmmakers and co-founder of the famed Studio Ghibli, died from lung cancer in a Tokyo hospital April 5. We repost a review of his Grave of the Fireflies (1988).

Armando Iannucci’s The Death of Stalin: A fatally ill-conceived “black comedy”

By David Walsh, 9 March 2018

Ianucci’s new film about the demise of the gravedigger of the Russian Revolution is not so much maliciously anticommunist as it is, above all, historically clueless.

90th Academy Awards: Banal, conformist and 10,000 miles from reality

By David Walsh, 6 March 2018

The 90th Academy Awards ceremony Sunday night, as one media commentator observed, “passed off without a hitch.” How unfortunate.

Director of A World Not Ours, A Man Returned and A Drowning Man

An interview with Palestinian filmmaker Mahdi Fleifel: “A film is like a historical document, it should be solid enough to endure”

By David Walsh, 4 January 2018

Fleifel’s A World Not Ours (2012), Xenos (2014), A Man Returned (2016) and A Drowning Man (2017) are some of the important films currently being made.

Best films of 2017, and other matters

By David Walsh and Joanne Laurier, 30 December 2017

It is impossible to discuss the best films of the year without considering some big social and cultural issues.

Roman J. Israel, Esq.: Rebel with a cause

By Joanne Laurier, 2 December 2017

Dan Gilroy’s Roman J. Israel, Esq. is a legal drama with an anti-establishment slant.

James Cameron’s 1997 film showing in the US for one week

What the WSWS said about Titanic 20 years ago

Why are the critics lauding Titanic?

By David Walsh, 29 November 2017

To mark 20 years since its release in December 1997, James Cameron’s Titanic is being shown in 87 theaters in the US for a week, starting December 1. We are marking the occasion by re-posting two comments on Titanic that appeared on the WSWS in January and February 1998.

What the WSWS said about Titanic 20 years ago

Titanic as a social phenomenon

By David Walsh, 29 November 2017

Originally posted February 25, 1998

Richard Linklater’s Last Flag Flying: The great pressure on artists to pull their punches

By David Walsh, 14 November 2017

The new film, which involves two Vietnam War veterans who help a third bury his son, killed in Iraq, is set in December 2003. It is an indirect sequel of The Last Detail (1973).

George Clooney’s Suburbicon: A misanthropic take on 1950s’ America

By David Walsh, 7 November 2017

A would-be “black comedy,” directed and co-written by George Clooney, Suburbicon is set in 1959 in a bland suburban community.

Toronto International Film Festival: Part 4

The Death of Stalin, The Other Side of Everything, Insyriated—The filmmakers’ inability to deal with complex questions, or worse

By David Walsh, 30 September 2017

Several films on political and historical questions underscore ongoing intellectual and artistic difficulties.

Toronto International Film Festival 2017: Part 2

Directions, Disappearance, A Drowning Man: Realistic about harsh conditions

By David Walsh, 26 September 2017

Certain films at the recent Toronto film festival depict reality in important ways.

Toronto International Film Festival 2017: Part 1

Trouble in paradise: A comment on the economics and politics of the Toronto International Film Festival

By David Walsh, 22 September 2017

This year’s event screened 255 feature films, a 14 percent decline from a year ago, when the festival presented 296 features, and the lowest number of full-length films in a decade.

2017 Emmy Awards: Sean Spicer, self-congratulations and identity politics

By David Walsh, 19 September 2017

The media was more or less agreed Monday that the highlight of the 69th Annual Primetime Emmy Awards was the brief appearance by Trump’s former press secretary.

Sean Penn’s The Last Face and Hollywood’s “August Death March”

By David Walsh, 31 August 2017

The Last Face, about relief workers in Africa, met with a savage critical response at the Cannes film festival. Meanwhile, the American film industry is deservedly suffering through one of its worst summers in decades.

Ingrid Goes West and Wind River: Hardly scratching the surface

By Joanne Laurier, 30 August 2017

Two current films, Ingrid Goes West, a cautionary tale about social media, and Wind River, a murder investigation near a Native American reservation, skirt around significant issues.

Logan Lucky: Steven Soderbergh returns from retirement

By David Walsh, 26 August 2017

The new film is set in West Virginia and North Carolina and involves the robbery of the Charlotte Motor Speedway during a major race.

Jerry Lewis, comic and filmmaker, dead at 91

By David Walsh, 23 August 2017

Lewis was a performer of extraordinary talent. At his improvisational and manic best, with a rapid-fire delivery, a variety of personas and all manner of physical contortions, he represented something anarchic and disruptive.

Christopher Nolan’s Dunkirk: The outbreak of World War II without history or politics

By David Walsh, 26 July 2017

British director Nolan’s new film is about the famed evacuation of large numbers of British and French troops from northern France in May-June 1940.

My Cousin Rachel: Was she innocent or guilty—and what would it signify?

By David Walsh, 17 June 2017

Roger Michell’s film, based on the 1951 novel by Daphne du Maurier set in the 19th century, follows a callow young man who falls for his sophisticated, perhaps calculating older “cousin.”

Three intriguing new films that should not disappear unnoticed: Sami Blood, Past Life and Radio Dreams

By David Walsh, 10 June 2017

Most of the films in movie theaters in the US at the moment are poor, or worse. As a result, the public is increasingly turning away. But there are exceptions.

Barry Levinson’s The Wizard of Lies on HBO: The tame, New York Times’ version of the Madoff scandal

By David Walsh, 1 June 2017

The HBO film is an account of the downfall of Wall Street swindler Bernard Madoff, whose multi-billion-dollar stock and securities fraud unraveled in December 2008.

Risk: Laura Poitras’ confused, superficial documentary about Julian Assange and WikiLeaks

By David Walsh and Joanne Laurier, 11 May 2017

The film broaches a dozen subjects and avoids treating any of them in depth, and often fails to take a clear position of any kind.

San Francisco International Film Festival—Part 4

Dziga Vertov’s The Man with a Movie Camera: One of the films you must see!

By David Walsh and Joanne Laurier, 6 May 2017

A highlight of the recent San Francisco film festival was the screening of Soviet filmmaker Dziga Vertov’s masterpiece, The Man with a Movie Camera (1929), at the historic Castro Theatre.

Lecture at San Diego State University

Should art be judged on the basis of race and gender?

By David Walsh, 27 April 2017

This is an edited version of a talk given at San Diego State University on April 18 by WSWS arts editor David Walsh. Audio of the talk is included.

San Francisco International Film Festival—Part 1

By David Walsh, 26 April 2017

The 2017 San Francisco International Film Festival screened some 180 films from 50 countries or so. This is the first of several articles.

San Diego Latino Film Festival—Part 1

Films on social life, past and present, in Mexico, the US and Peru

By Kevin Martinez and Toby Reese, 3 April 2017

The festival screened films from Mexico, Cuba, Spain, Venezuela, Colombia, Canada, Argentina, Chile, Ecuador, Puerto Rico, Peru, Honduras, Brazil, the US and other countries.

An interview with Jose Ramon Pedroza, director of Los Jinetes Del Tiempo (Time Riders)

By Kevin Martinez and Toby Reese, 3 April 2017

The WSWS conducted an interview with Mexican film director Jose Ramon Pedroza.

Revolution: New Art for a New World—A careless, unserious treatment of Russian Revolutionary art

By Joanne Laurier and David Walsh, 17 March 2017

British filmmaker Margy Kinmonth is out of her depth in her documentary about Russian avant-garde art.

89th Academy Awards: What does Hollywood offer today?

By David Walsh, 28 February 2017

The 89th Academy Awards ceremony, held Sunday at the Dolby Theatre in Hollywood, was an even more complex and peculiar affair than usual.

The Founder: Hollywood’s love affair with Ray Kroc and McDonald's

By Joanne Laurier, 26 January 2017

John Lee Hancock’s The Founder is a biographical drama about Ray Kroc, known as the man who established the McDonald’s global fast food chain.

New York Times film critics watch “while white”

Against racialism in film and art

By David Walsh, 19 January 2017

It would be very nearly possible at present to post a daily column devoted to the fixation of the American media and Hollywood filmmaking with race.

Best films of 2016

By David Walsh and Joanne Laurier, 31 December 2016

Although technologies have sped up and made possible many things, they cannot by themselves overcome the gap between reality and its artistic assimilation and representation.

Carrie Fisher and the Star Wars phenomenon

By David Walsh, 29 December 2016

The announcement Tuesday that Carrie Fisher had died at only 60 was sad news. The actress, writer and humorist was an appealing figure and personality.

Billy Lynn’s Long Halftime Walk: Ang Lee on the Iraq war and American hoopla

By David Walsh, 15 November 2016

The drama takes place in 2004. A unit of American soldiers, who have survived a brief but fierce battle with Iraqi insurgents, are being celebrated as “heroes” on a nationwide tour.

American Pastoral: A film version of Philip Roth’s novel

By David Walsh, 29 October 2016

The film and novel follow the life and eventual terrible misfortune of Seymour “Swede” Levov, the son of a glove manufacturer in Newark, in the 1960s and 1970s.

Toronto International Film Festival 2016: Part 2

The Chosen, on Trotsky, and other political subjects

By David Walsh, 29 September 2016

The appearance of an honest and accurate film about the plot to assassinate Russian revolutionary Leon Trotsky in Mexico in 1940 is a welcome—and long overdue—event.

Toronto International Film Festival 2016: Part 1

How well does filmmaking reflect present-day life?

By David Walsh, 27 September 2016

This year’s Toronto International Film Festival screened some 400 feature and short films from 83 countries at 1,200 public screenings.

Oliver Stone’s Snowden: The NSA is “running a dragnet on the whole world”

By Joanne Laurier and David Walsh, 20 September 2016

Veteran American filmmaker Oliver Stone has made a movie about National Security Agency (NSA) whistleblower Edward Snowden.

Suicide Squad: The latest comic book film

By David Walsh, 10 August 2016

David Ayer’s film concerns a team of psychotics and criminals recruited by the US government as part of a top-secret program to combat terrorism.

Wiener-Dog: Todd Solondz continues to look critically at American life

By David Walsh, 20 July 2016

The new film comprises four stories, loosely linked by the presence of a “wiener-dog” (dachshund). Each has at least one or more satirical, telling moments or elements.

The life and career of Iranian filmmaker Abbas Kiarostami

By David Walsh, 14 July 2016

The Iranian director will be best remembered and long honored for the series of feature films, including documentaries, that he made between 1987 and 1997.

Genius: “Just simply corny”

By David Walsh, 2 July 2016

British director Michael Grandage’s film is about American novelist Thomas Wolfe (Jude Law) and his famous editor, Maxwell Perkins (Colin Firth).

Charles Blow of the New York Times

The right-wing, racialist attacks on the film Free State of Jones

By David Walsh, 30 June 2016

Free State of Jones, about a white farmer in Mississippi who led an insurrection against the Confederacy from 1863 to 1865, has come under sharp attack from the “new right” of identity politics advocates.

Free State of Jones: Three cheers!

By Joanne Laurier, 28 June 2016

Gary Ross’s film is a fictional account of an intriguing, but little known chapter in American history.

“All the terrifying things all really happened”

Toyen: A film about the Czech surrealist painter and her times

By David Walsh, 18 June 2016

Czech director Jan Němec, who died in March 2016, made a film about the surrealist painter Toyen in 2005, which is now available. The film is intriguing and sometimes deeply moving.

The Nice Guys: Something, but not very much

(And, briefly, Terence Davies’ Sunset Song and Hany Abu-Assad’s The Idol.)

By David Walsh and Joanne Laurier, 17 June 2016

The Nice Guys is set in 1977 and follows the investigation into a disappearance, which turns out to be part of a broader conspiracy. Sunset Song and The Idol have recently opened in movie theaters in the US.

The Lobster: Relationships forced on—or forbidden—people

By David Walsh, 11 June 2016

In Yorgos Lanthimos’ film, individuals without a mate are sent to a “hotel” where they have 45 days to find a partner or be turned into an animal. Then, there are those who escape.

Sing Street from Ireland, A Bigger Splash from Italy: Neglected realities

By Joanne Laurier, 28 May 2016

John Carney’s Sing Street is a musical comedy-drama set in Dublin in the mid-1980s. Italian filmmaker Luca Guadagnino’s A Bigger Splash, based on a 1969 French thriller, takes its name from a painting by British artist David Hockney.

High-Rise: A film version of J.G. Ballard’s novel

By David Walsh, 27 May 2016

Like the novel, the film—set in the mid-1970s—begins with its central character calmly sitting on the balcony of his 25th floor apartment eating roast dog.

Captain America: Civil War—A waste of resources, technology and human skill

By David Walsh, 23 May 2016

What are these performers doing in this film? Is there any major film actor at present who would say “No” to this sort of project?

San Francisco International Film Festival—Part 3

Radio Dreams, about Iranian Americans—and the problem of images without insight

By David Walsh, 17 May 2016

Radio Dreams is a pleasurable experience. Other films at the San Francisco festival––The Event, No Home Movie, Counting, Five Nights in Maine––fared less well.

An interview with Babak Jalali, director of Radio Dreams

By David Walsh, 17 May 2016

The WSWS spoke to Babak Jalali during the recent San Francisco International Film Festival.

San Francisco International Film Festival—Part 1

Look at today’s filmmaking … then look at the world

By David Walsh, 11 May 2016

The recent San Francisco International Film Festival, in its 59th edition, screened some 175 films, including approximately 100 feature-length films, from 46 countries.

Retrospective at the Museum of Modern Art in New York

Are the films of Jean-Marie Straub and Danièle Huillet a genuine alternative to contemporary filmmaking?

By David Walsh, 7 May 2016

The Museum of Modern Art in New York City, beginning May 6, is presenting a retrospective of the films of Jean-Marie Straub and Danièle Huillet, the Franco-German filmmakers.

Papa: Hemingway in Cuba—The banalization of the novelist and his art

By David Walsh, 4 May 2016

The film follows the relationship that develops after a young American journalist in Miami in the mid-1950s writes an admiring letter to novelist Ernest Hemingway, then living in Havana, Cuba.

SEP/IYSSE meetings in California: Art, War and Social Revolution

14 April 2016

WSWS Arts Editor David Walsh will speak at meetings in San Diego and Berkeley, California, addressing the political and cultural situation in relation to American imperialism’s relentless war drive.

San Diego Latino Film Festival 2016—Part 1

Films from Argentina, Spain and Guatemala: El Movimiento, Hablar, Ixcanul and Tras Nazarin

By Kevin Martinez and Toby Reese, 28 March 2016

The festival showcased films and documentaries from throughout the Spanish-speaking world, including Cuba, Spain, Mexico, South and Central America.

Terrence Malick’s Knight of Cups: It is impossible to learn anything from this

By David Walsh, 19 March 2016

Thematically and stylistically, Malick’s latest film follows in the footsteps of his two previous efforts, The Tree of Life (2011) and To the Wonder (2012).

Race: Jesse Owens and the 1936 Berlin Olympics

By Alan Gilman and David Walsh, 10 March 2016

Stephen Hopkins’ film centers on critical events in the life of African-American track and field legend Jesse Owens.

45 Years: A nightmare on the brain of the living?

By David Walsh, 5 February 2016

In Andrew Haigh’s 45 Years, a childless, middle class couple living in a provincial English town, are on the eve of their 45th wedding anniversary.

Racialism, art and the Academy Awards controversy

By David Walsh, 30 January 2016

It is no exaggeration to point out that, in ideological terms, Cara Buckley in the New York Times and others, in their obsession with race, are spouting a conception of society and art identified historically with the extreme right.

To create a genuine artistic “avant garde” means confronting critical historical issues

By David Walsh, 20 January 2016

The essay by David Walsh we are posting today considers whether or not an artistic vanguard exists today—and, if not, what such a vanguard would consist of and what questions it would have to confront.

The failure of David O. Russell’s Joy, or, what any “sensible” person should know about modern society

By David Walsh, 5 January 2016

Russell’s film is loosely inspired by the life story of millionaire inventor and entrepreneur Joy Mangano, who created a self-wringing mop and other products.

Best films of 2015

By David Walsh and Joanne Laurier, 31 December 2015

The most interesting films we saw in 2015, both those that played in a movie theater in the US and those not yet distributed.

“Bloody instructions ... return to plague the instructor”

A new film version of Shakespeare’s Macbeth

By George Marlowe and David Walsh, 19 December 2015

A new version of William Shakespeare’s Macbeth with Michael Fassbender and Marion Cotillard emphasizes the bloody, barbaric times.

The Hunger Games: Mockingjay—Part 2: Worn seriously thin by now

By David Walsh, 26 November 2015

The new film treats the climax of the struggle in Panem between the rebels, morally led by Katniss Everdeen, and the forces of the Capitol, presided over by the tyrannical President Coriolanus Snow.

Steven Spielberg’s Bridge of Spies: An episode from the Cold War

By David Walsh, 24 October 2015

Spielberg’s new film deals with the arrest of Soviet spy Rudolf Abel in New York City in June 1957 and his subsequent exchange for U-2 spy plane pilot Gary Powers some five years later.

Coming Home: A small, sincere film about big, complex times

By David Walsh, 20 October 2015

In the late 1970s, after two decades in a remote “rehabilitation camp,” a Chinese political prisoner returns to his long-suffering wife, who does not recognize him.

Toronto International Film Festival 2015: Part Five

Eight films from Africa, the Middle East, China, Latin America and Eastern Europe: Contemporary social realism

By David Walsh, 14 October 2015

A number of films at the recent Toronto film festival sought, with varying degrees of persuasiveness, to present pictures of modern life with an emphasis on social relationships.

The Martian: A modern Robinson Crusoe

By David Walsh, 7 October 2015

One member of a manned mission to Mars is presumed dead and left behind on the desolate planet.

Toronto International Film Festival 2015: Part Two

THE PEOPLE vs. FRITZ BAUER, Colonia, Desierto: Criminals and their crimes

By Joanne Laurier, 1 October 2015

There are events that defy forgetfulness, that demand to be worked over by historians and artists—and revolutionaries.

Re-released after 40 years: The strengths and weaknesses of Robert Altman’s Nashville

By David Walsh, 30 September 2015

The nearly three-hour work follows two dozen characters over the course of several days in the city of Nashville, Tennessee, the official capital of country music.

Toronto International Film Festival 2015: Part one

The physical and emotional toll that capitalist society takes

By David Walsh, 26 September 2015

The 40th Toronto International Film Festival screened some 285 feature films and 110 shorts from 71 countries.

Jacques Tourneur’s Out of the Past (1947): The weight of history

By David Walsh and Joanne Laurier, 5 September 2015

Tourneur’s film, adapted from Build My Gallows High, a novel by American writer Daniel Mainwaring published in 1946, has one of the most suggestive titles in cinema history.

Woody Allen’s Irrational Man: The familiar flatness and lack of conviction

By David Walsh, 14 August 2015

Allen’s latest film focuses on controversial philosophy professor Abe Lucas who arrives at fictional, liberal arts Braylin College in Newport, Rhode Island to teach a summer course.

Mr. Holmes: Old age, the perils of science, a minor mystery solved …

By David Walsh, 6 August 2015

In post-World War II Britain, the great detective Sherlock Holmes lives in seclusion in rural Sussex, with his housekeeper, Mrs. Munro, and her young son Roger.

Trainwreck: The latest from Judd Apatow

By David Walsh, 1 August 2015

In Apatow’s Trainwreck, Amy Schumer, the stand-up comic and writer, is the psychological mess of the title.

Billy Wilder’s Double Indemnity (1944) and the phenomenon of American film noir

By David Walsh and Joanne Laurier, 28 July 2015

Turner Classic Movies, the US cable and satellite television network, presented Billy Wilder’s Double Indemnity (1944) at selected theaters on July 19 and 20.

Terminator Genisys and the trajectory of American “independent” filmmaking

By David Walsh, 8 July 2015

A number of the independent filmmakers of the 1990s and early 2000s have found their way, like Alan Taylor, to one or another blockbuster franchise.

Julie Taymor’s A Midsummer Night’s Dream

By David Walsh, 24 June 2015

The film was made during a run of Taymor’s version of Shakespeare’s play at the Theatre for a New Audience in Brooklyn in 2013-14.

Mad Max: Fury Road: A “feminist” demolition derby

By Kevin Martinez, 15 June 2015

The fourth film in the post-apocalyptic Mad Max franchise, Fury Road is a brutal and depressing experience, despite the positive comments from various critics.

A new film version of Far from the Madding Crowd; Brian Wilson’s story in Love & Mercy

By Joanne Laurier, 12 June 2015

Set in rural England in the 1870s, Far from the Madding Crowd is the story of a free-spirited young woman who attracts three suitors of diverse social and psychological make-up.

Kathryn Bigelow and Mark Boal’s Zero Dark Thirty

CIA-embedded Hollywood liars and their lies

By David Walsh, 15 May 2015

We now know, thanks to Seymour Hersh and his article in the London Review of Books, that, along with everything else, the Bigelow-Boal film was a pack of lies from beginning to end.

Drone warfare in Good Kill

And a roundtable interview with writer-director Andrew Niccol and actor Ethan Hawke

By David Walsh, 13 May 2015

New Zealand-born writer-director Andrew Niccol has taken on the subject of drone warfare in Good Kill, featuring Ethan Hawke, Bruce Greenwood, Zoë Kravitz and January Jones.

Cymbeline: Michael Almereyda returns to Shakespeare

By David Walsh, 11 April 2015

Michael Almereyda, who previously directed a version of Hamlet starring Ethan Hawke, has turned to one of Shakespeare’s lesser known plays, with intelligent results.

FICUNAM 2015: Part 4

Tackling life head on: The films of Uzbek-Soviet director Ali Khamraev

By David Walsh and Joanne Laurier, 28 March 2015

One of the genuine contributions of the recent FICUNAM film festival in Mexico City was its presentation of the works of veteran film director Ali Khamraev.

FICUNAM 2015

I Remember You: A comment on the history of his film by director Ali Khamraev

28 March 2015

Filmmaker Ali Khamraev explains the difficulties surrounding the making of his remarkable film I Remember You in the late 1970s and early 1980s.

FICUNAM 2015: Part 3

Pedro Costa’s Horse Money, Jean-Marie Straub’s “leftism” and other problems

By David Walsh, 25 March 2015

The recent FICUNAM festival in Mexico City screened a number of films which, while not belonging to a single school by any means, provide the opportunity for something of a generalized overview.

FICUNAM 2015: Part 2

The rule and the exceptions—three good films: Court, National Gallery and The Gold Bug

By David Walsh, 20 March 2015

There are filmmakers who devote themselves seriously and conscientiously to representing life, not life in the abstract, not “life as a river,” but concrete life, the life of social classes and relationships.

FICUNAM 2015: Part 1

A remarkable film festival in Mexico City

By David Walsh, 18 March 2015

David Walsh and Joanne Laurier recently attended the film festival associated with the National Autonomous University of Mexico in Mexico City.

Still Alice and Kingsman: The Secret Service—A woman battles disease and a street kid helps save the world …

By Joanne Laurier, 23 February 2015

In Still Alice, a middle class professor and her family struggle with Alzheimer’s, and in the comic book-based Kingsman: The Secret Service, a working class youth is recruited by an elite spy agency.

The Two Faces of January: Three Americans joined together by crime

By David Walsh, 16 February 2015

Set in Greece in the early 1960s, Iranian-born director Hossein Amini’s film, based on a Patricia Highsmith novel, follows a trio of Americans caught up in a series of increasingly traumatic events.

The Humbling: An actor who can no longer act

By David Walsh, 5 February 2015

In Barry Levinson’s film, based on a Philip Roth novel, an aging stage actor, who has lost the appetite for performing, encounters a younger woman with interesting consequences.

The controversy surrounding American Sniper

By David Walsh, 31 January 2015

The campaign in defense of Clint Eastwood’s film is the latest means by which the political and media establishment in the US is promoting its war-mongering agenda.

Inherent Vice: Thomas Pynchon’s novel adapted for the screen

By David Walsh, 28 January 2015

Paul Thomas Anderson’s new film, his seventh feature, is based on the 2009 novel of the same name by well-known American writer Thomas Pynchon.