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Arts Review

Sean Penn’s The Last Face and Hollywood’s “August Death March”

By David Walsh, 31 August 2017

The Last Face, about relief workers in Africa, met with a savage critical response at the Cannes film festival. Meanwhile, the American film industry is deservedly suffering through one of its worst summers in decades.

Ingrid Goes West and Wind River: Hardly scratching the surface

By Joanne Laurier, 30 August 2017

Two current films, Ingrid Goes West, a cautionary tale about social media, and Wind River, a murder investigation near a Native American reservation, skirt around significant issues.

Interview with rapper El Nino about “Grenfell Tower’s Burning”: “We had to watch that, so why shouldn’t they have to listen to us?”

By Paul Bond, 28 August 2017

Following the World Socialist Web Site’s recent review of the artistic response to the Grenfell Tower fire from local artists, reviewer Paul Bond spoke to El Nino.

Randy Newman and the problems of Dark Matter

By Hiram Lee, 24 August 2017

The latest album by songwriter Randy Newman satirizes Vladimir Putin, the Bay of Pigs invasion and the conflict between science and religion.

HBO’s Westworld: Blood, guts and pseudo-philosophy

By Carlos Delgado, 21 August 2017

The acclaimed science fiction drama imagines a futuristic amusement park populated by ultra-lifelike robots.

Early Women Filmmakers: An International Anthology—A largely untold story

By Charles Bogle, 17 August 2017

This collection samples the work of 14 early women directors (1902-1943). International in scope, the anthology brings to light the important contributions that these directors made to the development of film as an art form.

Rescue Under Fire (Zona hostil): Propaganda in the service of Spanish militarism

By Alejandro López, 14 August 2017

The glorification of the military is a response to the growing inter-imperialist tensions and the drive to war, which have been intensified by the installation of an aggressively nationalist and protectionist administration in the US.

Another reactionary attack on artist Dana Schutz, this time in Boston—and a healthy response

By David Walsh, 10 August 2017

Schutz’s painting of Emmett Till, the 14-year-old black youth murdered in Mississippi in 1955, came under attack in March when it was shown as part of the Whitney Museum’s Biennial in New York City.

Aboriginal singer Geoffrey Gurrumul Yunupingu dies, aged 46

By Richard Phillips, 9 August 2017

Gurrumul’s music, like all honest creative work, transcended language and cultural barriers, making him the highest selling Aboriginal singer-songwriter in Australian history.

Barbet Schroeder’s Amnesia: The trauma of German history

By Joanne Laurier, 7 August 2017

Set in the early 1990s, Amnesia is an exploration of German historical memory and the impact of the legacy of Nazism on sections of the middle class after the fall of the Berlin Wall.

Atomic Blonde: The last days of the Cold War

By Kevin Martinez, 5 August 2017

In 1989, before the fall of the Berlin Wall, MI6 agent Lorraine Broughton is sent to retrieve a secret list hidden in a wristwatch that has the names of every active agent in the Soviet Union.

The suicide of Linkin Park’s Chester Bennington (1976-2017)

By Ben Trent, 4 August 2017

Bennington was best known for his vocal range, and his ability to combine anguish and pain in his singing.

Ceremony: The journey of a statue of Friedrich Engels from Ukraine to Manchester

By Margot Miller, 3 August 2017

Despite the shortcomings of Ceremony, there is a genuine and positive significance to the placement of a statue of Engels in Manchester, as well as the popular response.

Battlefield 1 and war video games: Old lies for a new generation

By Carlos Delgado, 3 August 2017

The popular video game depicts a highly romanticized version of the First World War.

Sam Shepard, American playwright and actor, dies at 73

By David Walsh, 2 August 2017

Shepard had an undoubted influence on American culture over the past several decades. Having grown up in southern California, he first came to prominence as an Off-Off-Broadway playwright in New York with a series of one-act works in the mid-1960s.

DL Menard (1932-2017): The voice of Cajun music

By Paul Bond, 2 August 2017

The revival of the fortunes of traditional Cajun music owes much to Menard’s love of country music, and his warmly nasal voice.

Kathryn Bigelow’s Detroit: Mind-numbing violence and racial politics

By Joanne Laurier, 28 July 2017

Bigelow’s film is a fictionalized account of an incident that occurred during the July 1967 rebellion in Detroit, the cold-blooded murder of three young black men by police at the Algiers Motel.

Citizen Jane: Battle for the City—Documentary on the life and times of urban activist Jane Jacobs

By Clare Hurley, 27 July 2017

The subject of Matt Tyrnauer’s documentary is journalist and activist Jane Jacobs, perhaps best known for her crusades against several large-scale infrastructure projects in New York City in the 1960s.

Christopher Nolan’s Dunkirk: The outbreak of World War II without history or politics

By David Walsh, 26 July 2017

British director Nolan’s new film is about the famed evacuation of large numbers of British and French troops from northern France in May-June 1940.

Jay-Z’s 4:44: A further display of hubris and self-absorption

By Nick Barrickman, 24 July 2017

Shawn “Jay-Z” Carter’s 4:44, released June 30 on his Roc Nation label and available through Carter’s streaming service Tidal, is the rapper and entrepreneur’s thirteenth studio album.

American horror film director George Romero (1940–2017)

Including a conversation with film historian Tony Williams

By David Walsh, 21 July 2017

The American director of numerous horror and other films, including Night of the Living Dead, died July 16 in Toronto.

Albert Einstein’s life, or parts of it, in the first season of National Geographic’s Genius

By Bryan Dyne, 20 July 2017

The 10-episode season depicts the life of one of the most renowned scientists in world history without paying much attention to the science he developed.

Lady Macbeth—a bored, unhappy young wife “ready to go through fire”—and Mali Blues

By Joanne Laurier, 17 July 2017

Lady Macbeth is an adaptation of the well-known novella by Russian writer Nikolai Leskov, transposed to northeast England. Mali Blues offers a glimpse of that country’s remarkable musical scene.

The persistent Georgia O’Keeffe (1887-1986): An exhibition at the Art Gallery of Ontario

More than 100 works by the American artist

By Lee Parsons, 15 July 2017

The show, presenting O’Keeffe’s varied styles and subjects in drawings, paintings, photography and sculpture, spans her lengthy art career and demonstrates her versatility.

Netflix series on Elizabeth II

The Crown: Sentenced to be queen

By David Walsh, 13 July 2017

The Crown is a biographical drama series, created and written by Peter Morgan (The Queen, The Damned United), about the life and reign of Queen Elizabeth II. The first season covers the years 1947 to 1955.

Beatriz at Dinner: Not the sort of resistance that amounts to much

By Joanne Laurier, 12 July 2017

Directed by Miguel Arteta (Cedar Rapids) and featuring Salma Hayek and John Lithgow, the new film promotes a New Age-type opposition to a Trump-like figure.

American Epic: A three-part documentary about early “roots music”

The Carter Family, Mississippi John Hurt, Lydia Mendoza, Joseph Kekuku and more …

By Matthew Brennan, 11 July 2017

All three episodes—The Big Bang, Blood and Soil and Out Of The Many The One—contain important recollections and at times powerful archival footage.

Sofia Coppola’s The Beguiled: Historical drama with hardly any history

By Joanne Laurier, 7 July 2017

Along the way, the film demonstrates once again how contemporary gender and racial politics tyrannizes over much of current cultural life.

Season Three of Better Call Saul: Objection! Relevance!

By Ed Hightower, 1 July 2017

The prequel to AMC’s hit Breaking Bad has an identity crisis, and in Season Three resolves this by largely becoming another cop drama.

The “forces in power” are sensitive “to art and ideas”

A conversation with award-winning cinematographer Tom Hurwitz

By David Walsh, 29 June 2017

Hurwitz is one of the most honored documentary cinematographers in the US. His many credits include work on Harlan County, USA (1976), Wild Man Blues (1997), Dancemaker (1998), The Turandot Project (2000) and The Queen of Versailles (2012).

The Jazz Loft According to W. Eugene Smith: A film about music, photography and the postwar world

By David Walsh, 27 June 2017

Between 1957 and 1965 or so, American photographer Eugene Smith took some 40,000 photos and recorded nearly 4,000 hours of audio tape, many dedicated to jazz and jazz musicians, in a New York City loft.

“All these people worked all night, every night, crazily, obsessively”

An Interview with Sara Fishko, director of The Jazz Loft According to W. Eugene Smith

By David Walsh, 27 June 2017

Sara Fishko is an executive producer and host at WNYC, a public radio station in New York. Her film sheds fascinating light on artistic life in the 1950s and 1960s.

Netflix drama strikes a nerve …

A spook comes out of the woodwork to attack Brad Pitt’s War Machine

By David Walsh, 21 June 2017

Whitney Kassel, late of the Defense Department, Special Operations in Afghanistan and Pakistan, a former member of McChrystal’s “team,” has written a denunciation of War Machine in Foreign Policy magazine.

House of Cards, Season 5 and the “death of the Age of Reason”

By Hiram Lee, 20 June 2017

The newest season of the Netflix drama House of Cards sees the corrupt administration of President Frank Underwood struggling to retain power while battling rival factions within the state.

My Cousin Rachel: Was she innocent or guilty—and what would it signify?

By David Walsh, 17 June 2017

Roger Michell’s film, based on the 1951 novel by Daphne du Maurier set in the 19th century, follows a callow young man who falls for his sophisticated, perhaps calculating older “cousin.”

Theater professionals address the Flint water disaster

Public Enemy: Flint, an adaptation of Henrik Ibsen’s classic play: A remarkable artistic event

By Joanne Laurier, 15 June 2017

A version of Ibsen’s An Enemy of the People (1882) was performed last week in the devastated city of Flint, Michigan, as a commentary on the city’s water crisis.

Interviews with actors in Public Enemy: Flint

By Joanne Laurier, 15 June 2017

Several members of the cast of a new adaptation of Henrik Ibsen’s An Enemy of the People (1882), performed last week in Flint, Michigan, spoke to the WSWS.

A reply to ANZAC Heroes author, Maria Gill

By Sam Price and Tom Peters, 14 June 2017

Gill objected to the WSWS review of her book and claimed that she was an “anti-war person.”

Attempt at censorship in reaction to New York’s Public Theater production of Julius Caesar

By Fred Mazelis, 14 June 2017

Allusions to Donald Trump in the current production of Shakespeare’s play have been followed by a right-wing campaign of intimidation.

Wonder Woman: Humanity is pretty rotten, but the Germans are the worst of the lot

By David Walsh, 13 June 2017

The story involves an Amazonian princess/demigoddess who makes her way, in the company of an American Allied spy, from her island paradise to Europe toward the end of the First World War.

Roman Polanski’s victim in 1977 makes plea to Los Angeles court to end the case

By Alan Gilman, 12 June 2017

Samantha Geimer, the victim of Roman Polanski’s 1977 sex offense, urged a Los Angles court Friday to end her and Polanski’s 40 years of torment by dismissing the director’s case.

Three intriguing new films that should not disappear unnoticed: Sami Blood, Past Life and Radio Dreams

By David Walsh, 10 June 2017

Most of the films in movie theaters in the US at the moment are poor, or worse. As a result, the public is increasingly turning away. But there are exceptions.

Roger Waters’ Is This the Life We Really Want?: An angry, depressed protest against war and nationalism

By Kevin Reed, 9 June 2017

In 12 tracks and 55 minutes, Waters paints a picture of a desperate world and he issues an angry protest—if also a disheartened outburst—against the things that make it so.

The case of punk duo PWR BTTM: The erosion of democratic rights in pop culture

By Norisa Diaz, 5 June 2017

The New York-based band has been banished from the music industry following social media allegations of sexual assault, undermining the long-standing legal principle that the accused is presumed “innocent until proven guilty.”

Silence in the Courts—a film about judicial corruption in Sri Lanka

By Wasantha Rupasinghe, 3 June 2017

Prasanna Vithanage’s documentary deals with the sexual assault of two village women by a magistrate and the subsequent cover-up.

Poisoned Water: “NOVA” science series broadcasts segment on Flint water crisis

By James Brewer, 3 June 2017

The Public Broadcasting Service presented an engaging and informative documentary on the science behind the Flint water crisis.

Barry Levinson’s The Wizard of Lies on HBO: The tame, New York Times’ version of the Madoff scandal

By David Walsh, 1 June 2017

The HBO film is an account of the downfall of Wall Street swindler Bernard Madoff, whose multi-billion-dollar stock and securities fraud unraveled in December 2008.

Netflix’s War Machine: A hard-hitting attack on America’s military madness

By Joanne Laurier, 30 May 2017

The film admirably revives a venerable tradition of anti-military and anti-war drama and comedy in the US.

Conversations with Joseph Goebbels’s secretary

A German Life: A glimpse into the Nazi inner circle

By Bernd Reinhardt and Verena Nees, 27 May 2017

The Austrian-made documentary centres on Brunhilde Pomsel (1911-2017), who worked as a secretary in the office of Nazi propaganda minister Joseph Goebbels from 1942 to 1945.

The 2017 Whitney Biennial—a survey of contemporary American art: What does it show?

By Clare Hurley, 25 May 2017

The stated goal of the Biennial in New York City is to capture the zeitgeist—”spirit of the times”—through a selection of what is considered representative contemporary artwork.

Netflix series Dear White People: Self-pity in the service of social climbing

By Joanne Laurier, 24 May 2017

The first season of the new Netflix 10-part series, Dear White People, an expansion of Justin Simien’s 2014 movie, concerns a group of black students at a fictional, predominantly white, Ivy League college.

The cases of Aaron Gach, Mem Fox, United Vibrations, Soviet Soviet and others

Artists, writers, musicians detained and bullied by US customs and border officers

By Marko Leone and David Walsh, 23 May 2017

The various agencies responsible for immigration issues and border control have clearly been given the green light by the Trump administration to intimidate and generally terrorize anyone they can get their hands on.

Singer-musician Chris Cornell (1964-2017) dies at 52

By Adam Soroka, 22 May 2017

Cornell (born July 20, 1964 in Seattle, Washington) will be best remembered as the lead vocalist of the Seattle metal band Soundgarden. His vocals combined an R&B sensibility with a dynamic, multi-octave range.

California: San Diego to cut $2.3 million from city arts budget

By Marko Leone and Kevin Martinez, 20 May 2017

Mayor Kevin Faulconer has called for a 15 percent cut in the city’s budget for theaters, museums, playhouses and other cultural sites.

ABC’s Designated Survivor: The US government in crisis, onscreen and off

By Carlos Delgado, 20 May 2017

The series stars Kiefer Sutherland as Tom Kirkman, a low-level cabinet member who ascends to the presidency after a devastating attack on the US government.

WikiLeaks’ lawyers sharply criticize Laura Poitras’ documentary Risk

By David Walsh, 19 May 2017

Poitras’ film about Julian Assange and WikiLeaks, the four lawyers contend, undermines the credibility of the organization at a critical moment and exposes the documentary’s subjects “to considerable legal jeopardy.”

Human rights propaganda in support of imperialist war

The Return of History, Conflict, Migration and Geopolitics in the 21st Century

By Roger Jordan, 18 May 2017

Based on human rights propaganda and a dishonest presentation of the virtues of international law, author Jennifer Welsh argues that the West has to act more aggressively to defend democratic values against terrorism and a resurgent Russia.

Musician-singer Valerie June’s The Order Of Time: A warm album, but …

By Matthew Brennan, 18 May 2017

The album is June’s first proper release since the 2013 album Pushing Against a Stone, which made her a nationally known artist in the US.

Production at Washington, DC’s Shakespeare Theatre Company

Liesl Tommy’s Macbeth: An “updated” version, with pluses and minuses, of Shakespeare's tragedy

By Nick Barrickman, 16 May 2017

The production is visually compelling and makes an attempt to place the Shakespeare classic within the context of modern political and social developments.

UK: Tate workers asked to “put money towards a sailing boat” for museum director

By Jean Shaoul, 15 May 2017

The Tate’s workforce earns on average £24,000, significantly less than the national median of £27,600, which means poverty wages in one of the most expensive cities in the world.

Season 6 of HBO’s Girls: Ending with a whimper

By Ed Hightower, 15 May 2017

The few elements that might have been the show’s saving grace vanish in this final season as Girls dives hard into the morass of identity politics and “personal responsibility.”

Citizens Band, Something Wild, The Silence of the Lambs, Philadelphia …

Jonathan Demme (1944-2017): A talented filmmaker and a victim of stagnant times

By David Walsh, 13 May 2017

American filmmaker Jonathan Demme died April 26 in New York City from complications stemming from esophageal cancer and heart disease. He was 73.

Risk: Laura Poitras’ confused, superficial documentary about Julian Assange and WikiLeaks

By David Walsh and Joanne Laurier, 11 May 2017

The film broaches a dozen subjects and avoids treating any of them in depth, and often fails to take a clear position of any kind.

13 Reasons Why: The unhappiness of youth

By Genevieve Leigh, 10 May 2017

The new Netflix series treats the background to the decision by Hannah Baker, a high school student in a more or less average American suburb, to kill herself…and its consequences.

San Francisco International Film Festival—Part 4

Dziga Vertov’s The Man with a Movie Camera: One of the films you must see!

By David Walsh and Joanne Laurier, 6 May 2017

A highlight of the recent San Francisco film festival was the screening of Soviet filmmaker Dziga Vertov’s masterpiece, The Man with a Movie Camera (1929), at the historic Castro Theatre.

National Bird, about drone warfare, currently available on PBS “Independent Lens”

By Joanne Laurier, 5 May 2017

Sonia Kennebeck’s disturbing documentary, National Bird, can be viewed until May 16 on PBS’s “Independent Lens” web site.

San Francisco International Film Festival—Part 3

War (The Stopover), scientific progress (Marie Curie), the police (The Force) and other issues

By Joanne Laurier, 4 May 2017

Honest films about the character and impact of the brutal neo-colonial wars in Iraq, Afghanistan and elsewhere are extremely hard to come by.

The Soviet poet Yevgeny Yevtushenko (1933-2017) and the fate of the ‘60s generation

By Vladimir Volkov, 3 May 2017

Yevgeny Yevtushenko, the best-known Soviet poet from the 1960s to the 1980s, died at 85 from cancer on April 1, 2017, in Tulsa, Oklahoma.

New York’s Metropolitan Museum of Art considers mandatory admission charge for out-of-state visitors

By Fred Mazelis, 1 May 2017

In a city that is home to 79 billionaires, the resources exist many times over for free museum admission for all.

Paint the Revolution: Mexican Modernism 1910–1950—a significant exhibition

By Gary Alvernia, 28 April 2017

The radicalization of Mexican artists led to the creation of powerful and engaging works that expressed the faith of the artistic community in the revolution of the masses.

Lecture at San Diego State University

Should art be judged on the basis of race and gender?

By David Walsh, 27 April 2017

This is an edited version of a talk given at San Diego State University on April 18 by WSWS arts editor David Walsh. Audio of the talk is included.

San Francisco International Film Festival—Part 1

By David Walsh, 26 April 2017

The 2017 San Francisco International Film Festival screened some 180 films from 50 countries or so. This is the first of several articles.

Edward Yang’s Taipei Story (1985) depicts a city of sadness and alienation

By Fred Mazelis, 18 April 2017

One of the early films of major Taiwanese director Edward Yang was recently screened in the US for the first time.

“Nothing is entirely serious”—least of all Pablo Larraín’s Neruda

By Emanuele Saccarelli, 12 April 2017

Pablo Larraín’s Neruda is a highly unconventional and dissatisfying biopic of the Chilean poet.

Public meeting April 18 in San Diego, California

Art and Revolution: Should art be judged on the basis of race and gender?

11 April 2017

WSWS Arts Editor David Walsh will speak at San Diego State University on the retrograde trends that evaluate art based on concepts like “white privilege” and “cultural appropriation.”

San Diego Latino Film Festival—Part 2

Conditions in Latin America, treated concretely…and more abstractly

By Kevin Martinez and Toby Reese, 6 April 2017

Films from Ecuador, Mexico, Colombia and the Dominican Republic were shown at the festival, including a tense political drama, a dialogue-free drama and two documentaries.

The Zookeeper’s Wife: Life and heroism in wartime Warsaw

By Joanne Laurier, 5 April 2017

The Zookeeper’s Wife recounts the true story of the rescue of Jews from the Warsaw Ghetto during the Nazi invasion of Poland that began in 1939.

San Diego Latino Film Festival—Part 1

Films on social life, past and present, in Mexico, the US and Peru

By Kevin Martinez and Toby Reese, 3 April 2017

The festival screened films from Mexico, Cuba, Spain, Venezuela, Colombia, Canada, Argentina, Chile, Ecuador, Puerto Rico, Peru, Honduras, Brazil, the US and other countries.

An interview with Jose Ramon Pedroza, director of Los Jinetes Del Tiempo (Time Riders)

By Kevin Martinez and Toby Reese, 3 April 2017

The WSWS conducted an interview with Mexican film director Jose Ramon Pedroza.

Once again on Dana Schutz’s painting of Emmett Till: The New York Times intervenes to preserve identity politics

By David Walsh, 31 March 2017

The media establishment clearly senses that in the case of the Schutz painting in the Whitney Biennial, the identity politics zealots may have overstepped the bounds.

Lyrical and left-wing film

Nicholas Ray’s They Live by Night (1948): “They’re thieves, just like us”

By Joanne Laurier, 29 March 2017

A viewing of Nicholas Ray’s iconic 1948 film They Live by Night is a refreshing antidote to the current trivia, social indifference and identity politics.

Get Out: The horror of racism, and racialist politics

By Hiram Lee, 28 March 2017

With Get Out, Jordan Peele has said he wanted to make a film to “combat the lie that America had become post-racial.” The monster at the heart of this horror film is racism itself.

The foul attempt to censor and suppress Dana Schutz’s painting of Emmett Till

By David Walsh, 24 March 2017

The current campaign being waged against Open Casket, white artist Dana Schutz’s painting of murdered black youth Emmett Till, on racialist grounds is thoroughly reactionary.

Thomas Jefferson and Ben Franklin museums in Philadelphia closed by Trump administration hiring freeze

By Douglas Lyons, 23 March 2017

The Trump administration’s hiring freeze and threatened budget cuts prompted the National Park Service to close the historic attractions.

Rock ’n’ roll great Chuck Berry dead at 90

By Hiram Lee, 23 March 2017

It would be difficult to overstate Berry’s influence on American popular music in the second half of the 20th century. Perhaps more than any other artist in the genre, he defined the sound of rock ’n’ roll.

Revisiting John Steinbeck’s A Russian Journal from 1948

By Clara Weiss, 21 March 2017

American novelist John Steinbeck, together with famed Hungarian-born war photographer Robert Capa, visited the Soviet Union in 1947 on the very eve of the Cold War.

Bitter Harvest: Ukrainian nationalist fantasy as film

By Jason Melanovski, 18 March 2017

Russophobia and historical misrepresentation abound in George Mendeluk’s pseudo-historical drama.

Revolution: New Art for a New World—A careless, unserious treatment of Russian Revolutionary art

By Joanne Laurier and David Walsh, 17 March 2017

British filmmaker Margy Kinmonth is out of her depth in her documentary about Russian avant-garde art.

The Settlers: Israel’s movement toward an apartheid state

By Fred Mazelis, 11 March 2017

A new documentary shows the impact of decades of Israeli occupation of the West Bank on the Zionist state.

67th Berlin International Film Festival—Part 3

The absence for the most part of the big wide world: German films at the Berlinale

By Bernd Reinhardt, 9 March 2017

The dramatic social and political developments of the past several years were evidently not high on the German filmmakers’ agenda.

The Look of Silence: Important documentary on the aftermath of the 1965 Indonesia massacres

By Clara Weiss, 6 March 2017

In a profoundly moving, intimate and disturbing way, Joshua Oppenheimer’s film deals with the long-lasting and devastating impact of the mass murder of up to one million Communists and suspected Communists.

67th Berlin International Film Festival--Part 2

A film about the legendary guitarist: Django

By Bernd Reinhardt, 4 March 2017

The debut film of Étienne Comar focuses on the year 1943, when the Nazis tried unsuccessfully to convince Django Reinhardt to undertake a tour of fascist Germany.

A contribution on art and identity politics

It isn’t a highway and it doesn’t have lanes

By Steven Brust, 3 March 2017

The comment by fantasy and science fiction writer Steven Brust is a response to the effort to restrict art and literature according to the dictates of racial and gender politics.

89th Academy Awards: What does Hollywood offer today?

By David Walsh, 28 February 2017

The 89th Academy Awards ceremony, held Sunday at the Dolby Theatre in Hollywood, was an even more complex and peculiar affair than usual.

Why is the Flaming Lips’ Oczy Mlody so disappointing?

By Hiram Lee, 27 February 2017

Indie rock veterans The Flaming Lips have returned with a new album of mostly detached psychedelia.

Russian revolutionary art exhibition in London excises Trotsky—and, more generally, historical truth

Revolution: Russian Art 1917–1932

By Paul Mitchell, 25 February 2017

Curator Natalia Murray’s aim in the Royal Academy exhibition is to pour scorn on and discredit the 1917 October Revolution and to combat the contemporary impact of the works it inspired.